How did women's fashions change in the 1920's Have these styles Research Paper

How did womens fashions change in the 1920s Have these styles survived or ever been revivied How do they reflect the advanced fre - Research Paper ExampleThe designs, colours and fabrics and the associated accessories used by fashion technologists are not to be seen merely as expressions of random ideas or creativity. They, in fact, are meant to make statements statements of joy, liberation, individuality, functionality, self-expression and post-war optimism. The fashion trends of the hedonistic mid-twenties assume importance in this light and the most wonderful thing about those well-coordinated outfits was the enormous license they gave women to choose. Women are the loveliest creation of god and now they were to become even lovelier. The music of 1920s was a trendsetter and so were the new fashion modules of the close, their classical nature notwithstanding. They were simple, yet elegant carrying with them timeless and age-defying sex-appeal. Any intelligence on womens fashio n in the colorful 1920s has to be centered on airless cloche hats without rims, sleeveless dresses, slipper shoes, sheer stockings, Madeleine Vionnets very feminine bias- swing musics, pantsuits, canes, body-flattering Coco Chanel silhouettes and Art Deco fashion with its desegregation of the Oriental culture, not to mention La Garconne style, handbags, jewellery and such things so much so that all attempt to visualize their appeal by taking a look at black-and-white snapshots of that period does not just work. 1920s, more commonly known the roaring 20s, as much as 1940s, both(prenominal) being points of time that have witnessed not only the horror of World Wars but also the repose that the end of hostilities marked, were historically prone to see a sea change in terms of battalions attitude and womens in particular in terms of the idea of fashion. The first improvident skirt sounded the death knell of the haute couture era Skirt length reached its lowest point in 1923 (1920s Fashions for Women) and ushered in the innovational era of fashion which conceived the idea of erotic beauty. The transformation of woman from being an object of beauty to graceful a futurist machine was kick-started. Chic became a vogue word. And there was no looking back. So we see the cumbersome Victorian clothing gradually losing ground. Crinolines, rear-enhancing bustles and restrictive corsets passed into oblivion, thankfully causing a swallow up decline in the incidence of ptosis. Lighter, brighter and daringly shorter dresses, straight-line chemises, nemo-flex brassieres, sleek, masculine or boyish look, flat chests with bandeaus, shingle cut and Bubikopf or the bob cut (popularized by actress Louise Brookes) formed the order of the day. The Basque dress or Robe de sprint which clubbed the features of straight silhouette and belled skirt was very popular. Make up, in particular, was another shocking development. Rising hemlines of the flappers, who characterized the re volutionary spirit of the typical jazz age woman, made dancing the Charleston, for instance to a tune of Duke Ellington or to the frenetic sounds of Bix Beiderbecke, easier. Light weight undergarments made it easier to play sport and drive automobiles. The Womens Fashion fetch designed the one hour dress in 1926 (Flapper Fashion). For the first time in history, pleats, gathers and slits ruled womens fashion, liberating women from constricting clothes, though the Great Depression, for a while, brought about a roll-back towards conservative wear (The History of twentieth Century